If you read only one guide to synthesis, let it be this.
Great for beginners and seasoned experts alike, the Sound on Sound Synth Secrets guide by Gordon Reid should be required reading for all serious synthesists.
Most of what you see in this guide is easily translated into Audulus, almost node-by-node.
I suggest you read it from start to finish, but if you already have a basic understanding of synthesis, feel free to jump around.
Below, I’ve first linked to each article in the order it was published, from 1999 through 2004.
The articles have a general throughline, but can be a bit intimidating when taken all at once. To turn this series into more manageable bite-sized chunks, I also grouped the articles into roughly sketched subjects. Some articles are duplicated here and there, and that’s on purpose (formant applies to both Filter and Synthesis, for example).
This topic will be locked to prevent comments from piling up, but please feel free to start your own topics about articles in this guide.
I’ll also be posting Audulus patches that illustrate the concepts highlighted in each article. This will be an ongoing project, follow this topic to see when new patches are posted.
Audulus Patches
- SOS Synth Secrets - 3 - Modifiers and Controllers.audulus (29.3 KB)
- SOS Synth Secrets - 4 - Of Filters & Phase Relationships.audulus (5.5 KB)
Table of Contents
- What’s in a Sound?
- The Physics of Percussion
- Modifiers & Controllers
- Of Filters & Phase Relationships
- Further With Filters
- Of Responses & Resonance
- Envelopes, Gates & Triggers
- More About Envelopes
- An Introduction to VCAs
- Modulation
- Amplitude Modulation
- An Introduction To Frequency Modulation
- More on Frequency Modulation
- An Introduction to Additive Synthesis
- An Introduction To ESPs & Vocoders
- From Sample & Hold To Sample-rate Converters (1)
- From Sample & Hold To Sample-rate Converters (2)
- Priorities & Triggers
- Duophony
- Introducing Polyphony
- From Polyphony To Digital Synths
- From Springs, Plates & Buckets To Physical Modelling
- Formant Synthesis
- Synthesizing Wind Instruments
- Synthesizing Brass Instruments
- Brass Synthesis On A Minimoog
- Roland SH101 & ARP Axxe Brass Synthesis
- Synthesizing Plucked Strings
- The Theoretical Acoustic Guitar Patch
- A Final Attempt To Synthesize Guitars
- Synthesizing Percussion
- Practical Percussion Synthesis: Timpani
- Synthesizing Drums: The Bass Drum
- Practical Bass Drum Synthesis
- Synthesizing Drums: The Snare Drum
- Practical Snare Drum Synthesis
- Analysing Metallic Percussion
- Synthesizing Realistic Cymbals
- Practical Cymbal Synthesis
- Synthesizing Bells
- Synthesizing Cowbells & Claves
- Synthesizing Pianos
- Synthesizing Acoustic Pianos On The Roland JX10 [Part 1]
- Synthesizing Acoustic Pianos On The Roland JX10 [Part 2]
- Synthesizing Acoustic Pianos On The Roland JX10 [Part 3]
- Synthesizing Strings: String Machines
- Synthesizing Strings: PWM & String Sounds
- Synthesizing Bowed Strings: The Violin Family
- Practical Bowed-string Synthesis
- Practical Bowed-string Synthesis (continued)
- Articulation & Bowed-string Synthesis
- Synthesizing Pan Pipes
- Synthesizing Simple Flutes
- Practical Flute Synthesis
- Synthesizing Tonewheel Organs: Part 1
- Synthesizing Tonewheel Organs: Part 2
- Synthesizing Hammond Organ Effects
- Synthesizing The Rest Of The Hammond Organ: Part 1
- Synthesizing The Rest Of The Hammond Organ: Part 2
- From Analogue To Digital Effects
- Creative Synthesis With Delays
- More Creative Synthesis With Delays
- The Secret Of The Big Red Button
Utilities
- Modifiers & Controllers
- Envelopes, Gates & Triggers
- More About Envelopes
- An Introduction to VCAs
- Modulation
- From Sample & Hold To Sample-rate Converters (1)
- From Sample & Hold To Sample-rate Converters (2)
- Priorities & Triggers
- Duophony
- Introducing Polyphony
- From Polyphony To Digital Synths
Filters
- Of Filters & Phase Relationships
- Further With Filters
- Of Responses & Resonance
- An Introduction To ESPs & Vocoders
- Formant Synthesis
Synthesis
- Amplitude Modulation
- An Introduction To Frequency Modulation
- More on Frequency Modulation
- An Introduction to Additive Synthesis
- An Introduction To ESPs & Vocoders
- Formant Synthesis
- Creative Synthesis With Delays
- More Creative Synthesis With Delays
Percussion
- The Physics of Percussion
- Synthesizing Drums: The Bass Drum
- Practical Bass Drum Synthesis
- Synthesizing Drums: The Snare Drum
- Practical Snare Drum Synthesis
- Analysing Metallic Percussion
- Synthesizing Realistic Cymbals
- Practical Cymbal Synthesis
- Synthesizing Bells
- Synthesizing Cowbells & Claves
- Synthesizing Pianos
- Synthesizing Acoustic Pianos On The Roland JX10 [Part 1]
- Synthesizing Acoustic Pianos On The Roland JX10 [Part 2]
- Synthesizing Acoustic Pianos On The Roland JX10 [Part 3]
Effects
- From Springs, Plates & Buckets To Physical Modelling
- Synthesizing Hammond Organ Effects
- From Analogue To Digital Effects
Wind
- Synthesizing Wind Instruments
- Synthesizing Pan Pipes
- Synthesizing Simple Flutes
- Practical Flute Synthesis
Brass
- Synthesizing Brass Instruments
- Brass Synthesis On A Minimoog
- Roland SH101 & ARP Axxe Brass Synthesis
Plucked Strings
- Synthesizing Plucked Strings
- The Theoretical Acoustic Guitar Patch
- A Final Attempt To Synthesize Guitars
Bowed Strings
- Synthesizing Strings: String Machines
- Synthesizing Strings: PWM & String Sounds
- Synthesizing Bowed Strings: The Violin Family
- Practical Bowed-string Synthesis
- Practical Bowed-string Synthesis (continued)
- Articulation & Bowed-string Synthesis
Piano
- Synthesizing Pianos
- Synthesizing Acoustic Pianos On The Roland JX10 [Part 1]
- Synthesizing Acoustic Pianos On The Roland JX10 [Part 2]
- Synthesizing Acoustic Pianos On The Roland JX10 [Part 3]