I think that there is a lot of room right now to do interesting things in electronic music. I keep reflecting on the idea that, for some people, they aren’t too interested in getting caught in the trenches of synthesis. Instead, they just want to work with what is new and possible given all the equipment. These producer/DJ’s have quite a bit on the line because people will pay for their drops. This is where I think things get really interesting.
I am purposely getting myself stuck in the trenches. But I like an overview once in a while. So I think the complex oscillators have a place on the dance floor away from the modular synthesis community. I hope I can work on some dirty basslines soon.
What is this music also for? It’s for when you have a real sick whip and you want to roll up all bllllllahhhhhwwwwwmmmmmmm…
Which is just to say for those of you that turn your nose up at genres — they have different puposes, many of which are not for you to sit and stare at just the tune. Some are for dancing. Some are for driving your car slow down main street.
- and don’t believe that bs about the loudenss wars and spotify blah blah blah. The war is ongoing, don’t kid yourself. If you go on after someone and your sound is bigger and heavier – you’re a damn good producer in that respect.